Hi, I’m Joyful, pleasure to meet you.
If you are new to my worlds, I am excited to connect and collaborate on ways of being beautiful humans.
I am dedicated to imagineering how we human by being, bridging, and building futures anchored in the now, within the architecture of our present moments.
PURPOSE AS PERSONAL AND PROFESSIONAL PRACTICE.
I am an international author, relational designer, and strategic advisor operating at the intersection of long-term memory metrics, systems design, and technological infrastructure.
My work is anchored in a foundational belief: that how we evolve individually, connect universally, and collaborate to achieve the impossible is our highest art form. Guided by this conviction, I built a global creative and collaborative ecosystem, partnering with top-tier talent to bring this profound purpose to life.
TESTIMONIALS
FEATURED
BBC
FORBES WOMEN
THE GUARDIAN
NPR
STYLIST
GLOBAL NEWS
VOGUE MAGAZINE
TED TALK
THE OPRAH WINFREY SHOW
THE WASHINGTON POST
NYT
THE GIRL WHO SMILED BEADS
NEW YORK TIMES BESTSELLER
“The plot provided by the universe was filled with starvation, war and rape. I would not—could not—live in that tale.”
“Unforgettable.”
— PEOPLE
“A powerful record of the refugee experience . . . [with] moments of potent self-reckoning.”
— Kirkus Reviews
“Riveting . . . [A] poetically written, searchingly honest memoir.”
— National Catholic Reporter
“Wamariya’s memoir proves how the human spirit can triumph. It truly floored me.”
— Elisabeth Egan, Glamour
“Sharp, moving . . . Wamariya and her co-author, Elizabeth Weil . . . describe Wamariya’s idyllic early childhood in the Rwandan capital, Kigali, and the madness that followed with an analytic eye and, at times, a lyrical honesty. . . . Wamariya is piercing about her alienation in America and her effort to combat the perception that she is an exotic figure, to be pitied or dismissed. . . . Wamariya tells her own story with feeling, in vivid prose. She has remade herself, as she explains was necessary to do, on her own terms.”
— Alexis Okeowo, New York Times Book Review